William Blake - translation to γαλλικά
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William Blake - translation to γαλλικά

ENGLISH POET AND ARTIST (1757–1827)
Willam blake; W. Blake; William blake; Blake, William; William Blake's History; Blakean; Pictor Ignotus; Europe Supported by Africa and America; Sexuality of William Blake
  • A memorial to William Blake in [[St James's Church, Piccadilly]]
  • Abel]] Found by Adam and Eve'', c. 1825. Watercolour on wood.
  • Inferno]]''.
  • William Blake's image of the [[Minotaur]] to illustrate ''Inferno'', Canto XII, 12–28, The Minotaur XII
  • watercolour]]
  • J. G. Stedman's]] ''Narrative, of a Five Years' Expedition, against the Revolted Negroes of Surinam'' (1796)
  • [[Ledger stone]] on Blake's grave, unveiled in 2018
  •  access-date = 25 September 2013}}</ref>
  • Headstone in [[Bunhill Fields]], London, erected on Blake's grave in 1927 and moved to its present location in 1964–65
  • "Head of William Blake" by [[James De Ville]]. Life mask taken in plaster cast in September 1823, [[Fitzwilliam Museum]].
  • Milton]])<ref>Baker-Smith, Dominic. ''Between Dream and Nature: Essays on Utopia and Dystopia''. 1987, p. 163.</ref> to write upon a scroll that seems to project from his own head.<ref>Kaiser, Christopher B. ''Creational Theology and the History of Physical Science''. 1997, p. 328.</ref>
  • ''Oberon, Titania and Puck with Fairies Dancing'' (1786)
  • access-date=18 January 2013}}</ref>
  • Memorial marking Blake's birthplace in [[Soho]], [[City of Westminster]]
  • ''Europe Supported by Africa and America'' engraving by William Blake
  • John Linnell]]. This larger version was painted to be engraved as the frontispiece of Alexander Gilchrist's ''Life of Blake'' (1863).
  • 'Skofeld' wearing "mind forged manacles" in ''[[Jerusalem: The Emanation of the Giant Albion]]'', Plate 51
  • illuminated books]] painted by Blake and his wife, collectively known as the ''[[Continental Prophecies]]''.
  • John Varley]] of his visions of apparitions, Blake was subsequently persuaded to paint one of them.<ref name=langr>Langridge, Irene. ''William Blake: A Study of His Life and Art Work''. 1904, pp. 48–9.</ref> Varley's anecdote of Blake and his vision of the flea's ghost became well-known.<ref name=langr />
  • Revelation]] 12.
  • ''[[The Night of Enitharmon's Joy]]'', 1795; Blake's vision of [[Hecate]], Greek goddess of black magic and the underworld
  • The cottage in [[Felpham]], now [[Blake’s Cottage]], where Blake lived from 1800 until 1803
  • Blake's ''Lot and His Daughters'', [[Huntington Library]], c. 1800
  • Sketch of Blake from, circa 1804, by [[John Flaxman]]

William Blake         
William Blake (1757-1827), English poet and artist, author of "Songs of Innocence" and "Songs of Experience"
Blake         
Blake, family name; male first name; William Blake (1757-1827), English poet and artist, author of "Songs of Innocence" and "Songs of Experience"

Ορισμός

wind down
1. (of a clockwork mechanism) gradually lose power.
2. informal relax.
3. (also wind something down) draw or bring gradually to a close.

Βικιπαίδεια

William Blake

William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".

Although Blake was considered mad by contemporaries for his idiosyncratic views, he came to be highly regarded by later critics and readers for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". In fact, he has been said to be "a key early proponent of both Romanticism and Nationalism". A committed Christian who was hostile to the Church of England (indeed, to almost all forms of organised religion), Blake was influenced by the ideals and ambitions of the French and American revolutions. Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".

Παραδείγματα από το σώμα κειμένου για William Blake
1. Des anges, comme son po';te favori William Blake en voyait partout, y compris dans les arbres?
2. Mais avant, le spectacle que la fine amatrice de poésie et récente coach de Carla Bruni a baptisé «Songs of Innocence and Experience» (titre chipé au po';te anglais des XVIIIe et XIXe William Blake) chemine heureusement sur des airs moins entendus.
3. Le Polaroid en noir et blanc est un filtre poétique, un peu flou, mais si lyrique, qui rend sa passion pour les géants de la littérature (William Blake, Arthur Rimbaud, Virginia Woolf...) ou atteste de ses errances. «Ces photos sont mes reliques, mes secrets, mes souvenirs.
4. Un lieu imaginé et animé avec Sven Becker, aujourd‘hui expert chez Christie‘s ŕ Londres. «Notre idée était de créer un espace qui donnerait ŕ voir des résonances artistiques, celles d‘un William Blake sur les po';tes visionnaires contemporains par exemple», se souvient–il.
5. D‘ailleurs la bi';re ne date pas d‘hier, et a inspiré quelques réflexions dont la profondeur ne dépasse pas le fond de la chope: «La bi';re est la preuve indéniable que Dieu nous aime et veut nous voir heureux» (Benjamin Franklin), «Donnez–moi une femme qui aime vraiment la bi';re et je conquerrai le monde» (Guillaume II), «Si seulement ŕ l‘église on nous donnait de la bi';re, et un feu confortable pour régaler nos âmes, nous passerions le jour en chants et pri';res sans jamais vouloir nous en tenir écartés» (William Blake), «On boira du lait le jour oů les vaches mangeront du houblon» (anonyme). Mais tręve de propos de comptoir, passons en cuisine.